VICTORY! Toronto TERF RadFem 2013 "Rise Up" Protested by MP and Public is Denied Venue

Victory! Beaver Hall Gallery Cancels as Venue for Radfem Rise Up

Posted on July 4, 2013 by notoradfemriseup.

"Toronto’s Beaver Hall Gallery at 29 McCaul Street had until recently been scheduled to host a conference called RadFem RiseUp! featuring bigoted so-called “radical feminists” who have engaged in hate campaigns against trans women, sex workers and 2-Spirit people."

"The conference had planned to provide a forum to participants and presenters such as Rachel Ivey and Lierre Keith, both who espouse extreme hate toward transgender women and sex workers. As well the conference had been hosting radical feminists who have engaged in harassment, bullying, dehumanizing language, stalking, outing transgender teenagers online and blaming us for the violence we experience."



"They have also used similar hate tactics against sex workers in order to purposely, viciously, attempt to ruin lives; they repeatedly and publicly deride and denigrate sex-workers. They repeatedly, publicly, misgender trans people and 2-Spirit people and in fact they say we don’t exist; they also say that trans women are merely a perverted outgrowth of “porn culture.”

according to the Radfem Riseup website the new location will remain secret: "The address of the venue will be sent to each individual participant after she registers."

Beaver Hall Gallery just released emails stating that it will no longer host the conference:

“Beaver Hall Gallery is a space within Beaver Hall Artists’ Housing Co-operative, where artists and their family members both live and work. The gallery is managed and staffed by volunteer members who live in the housing co-op. When gallery events may affect the entire community of the co-op, the Board of the Co-op is required to make determinations in the best interest of the co-op members.

A final decision has been made by the Board of Directors to not host RadFem Rise Up! at Beaver Hall Gallery this coming weekend.

While we realize this news is disappointing for some, we hope that all parties concerned will respect and understand the decision.

The Gallery Committee of Beaver Hall Artists’ Co-op”

It's a great day when hate groups are denied venues in result of our advocacy. Great work.

Laverne Cox in the new Netflix series "Orange is the new black" Life Inside Danbury Prison

Buzzfeed reports Cox, who shares an acting coach with Nicole Kidman, plays Sophia, a trans woman who, pre-transition, was a firefighter. In the third episode, guest-directed by Jodie Foster, we learn about her complicated relationship with her wife and son. “I don’t know of a trans character on television played by a trans person that has as much humanity as this character,” Cox says. It’s true. Generally, trans folks are portrayed as tragic or heroic, but Sophia is multidimensional and complex, part hard-won confidence, part sweet underbelly.

In one flashback scene, we see Sophia’s wife help her into a dress early on in her transition, and the pained tenderness when they kiss is palpable (Cox says Foster was so moved by the scene that she came out behind the camera with tears in her eyes). Later, when Sophia is cut off estrogen in prison for bullshit bureaucratic reasons, her panic — over not only the hair appearing on her chin, but also the serious medical issue of not having any hormone production in her body — is a nuanced portrayal of a pretty universal fear for trans people who take hormones, but one rarely discussed outside our communities.

From the A compelling, often hilarious, and unfailingly compassionate portrait of life inside a women’s prison

(Based on the memoirs of Piper Kerman) who was sent to prison for a ten-year-old crime, she barely resembled the reckless young woman she’d been when, shortly after graduating Smith College, she’d committed the misdeeds that would eventually catch up with her. Happily ensconced in a New York City apartment, with a promising career and an attentive boyfriend, she was suddenly forced to reckon with the consequences of her very brief, very careless dalliance in the world of drug trafficking.



Kerman spent thirteen months in prison, eleven of them at the infamous federal correctional facility in Danbury, Connecticut, where she met a surprising and varied community of women living under exceptional circumstances. In Orange Is the New Black, Kerman tells the story of those long months locked up in a place with its own codes of behavior and arbitrary hierarchies, where a practical joke is as common as an unprovoked fight, and where the uneasy relationship between prisoner and jailer is constantly and unpredictably recalibrated.

Revealing, moving, and enraging, Orange Is the New Black offers a unique perspective on the criminal justice system, the reasons we send so many people to prison, and what happens to them when they’re there.