5/4/10

Girl Talk: A San Fransico Cisgender and Trans Woman Dialogue

Queer cisgender women and queer transgender women are allies, friends, support systems, lovers, and partners to each other. Trans and cis women are allies to each other every day -- from activism that includes everything from Take Back the Night to Camp Trans; to supporting each other in having “othered” bodies in a world that is obsessed with idealized body types; to loving, having sex, and building family with each other in a world that wants us to disappear. Girl Talk is a spoken word show fostering and promoting dialogue about these relationships. Trans and cis women will read about their relationships of all kinds – sexual and romantic, chosen and blood family, friendships, support networks, activist alliances. Join us for a night of stories about sex, bodies, feminism, activism, challenging exclusion in masculine-centric dyke spaces, dating and breaking up, finding each other, and finding love and family.

Date: Wednesday, June 23, 2010
Time: 7:30pm - 9:30pm
Location: S.F. LGBT Community Center - Ceremonial Room
Facebook event page Girl Talk: A Cis and Trans Woman Dialogue
Tickets: $12-$20 online at Brown paper tickets.com

CAST BIOS:

D. Rita Alfonso teaches LGBT and Queer Studies at UC Berkeley, and offers LGBT seminars to the queer public under the rubric of www.LGBTStudies.ning.com. Photography is another of her passions, and you will often see her about town documenting queer and trans events and performers; her photography can be found at dralfonsophotography.com.

Ryka Aoki de la Cruz is a poet, performer, and composer who has been honored by the California State Senate for creating Trans/Giving, LA’s only art/performance series dedicated to trans, genderqueer, and intersex artists. Ryka’s long poem “Sometimes Too Hot the Eye of Heaven Shines” has won RADAR Productions’ first Eli Coppola Memorial Chapbook Contest, and is forthcoming from Inconvenient Press. Her current project is Trans Office Hours, which matches trans-identified professors with trans-identified students entering or re-entering college. Ryka has a third-degree black belt in Kodokan Judo and is a professor of English at Santa Monica College.

Daughter and granddaughter of anarchist feminists, Danielle Askini is a feisty high femme hailing from all over. A queer activist since the womb, Danielle grew up doing battle with big boys--and winning. As a Trans activist Danielle has focused her work on creating safe schools, depathologizing trans and femme identities, and liberating health care for all people. Her writings have included "Social Work or Sex Work?" a critical examination of class inequality in social work education, and "Gender Refugee" a chapbook of poems and essays on gender transition and migration. She is fluent in Dutch and working hard on Swedish. Stockholm is her second home.

Annie Danger is a fierce and fearsome performer. Raised in the desert by a pack of drag queen werewolves who were themselves a litter produced by Leigh Bowery, Marina Abramovic, and Andy Kaufman, Ms. Danger wants nothing more than your allegiance to the tenets of your own thoughtful ethics and a sturdy but flexible sense of humor. She is a transsexual woman who lives and loves in the San Francisco Bay area mostly. You can find out more at: www.anniedanger.webs.com

Gina de Vries is a queer cissexual femme woman, a Paisan ex-Catholic pervert, and a writer, performer, and activist with a long history doing political organizing in and with queer and trans communities. As an activist, she is especially interested in the intersections of intersex, trans, reproductive justice, sex worker, multi-cultural, cross-class, and disability activism; and using art, writing, and performance as political tools. Gina's writing has appeared dozens of places, from the academic to the pornographic – recent publications include Issue #4 of Bound to Struggle: Where Kink and Radical Politics Meet, Girl Crush, and The Revolution Starts at Home. Gina has performed, taught, and lectured everywhere from chapels to leatherbar backrooms, and recent university appearances include Reed College, Yale University, and Harvard University. She is the founder and facilitator of Sex Workers' Writing Workshop, a writing class for current and former sex workers at San Francisco’s Center for Sex & Culture (where she also serves on the Advisory Board). And, she’s currently pursuing her MFA in Fiction Writing at San Francisco State University. She likes glitter, the color fuchsia, leopard print, and political discussion as foreplay. Find out more at queershoulder.tumblr.com.

Julia Serano is an Oakland-based writer, performer and trans activist. She is the author of Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity (Seal Press, 2007), a collection of personal essays that reveal how misogyny frames popular assumptions about femininity and shapes many of the myths and misconceptions people have about transsexual women. Julia’s other writings have appeared in anthologies (including BITCHfest: Ten Years of Cultural Criticism from the Pages of Bitch Magazine, Word Warriors: 30 Leaders in the Women's Spoken Word Movement, and Yes Means Yes: Visions of Female Sexual Power and A World Without Rape), in feminist, queer, pop culture and literary magazines and websites (such as Bitch, AlterNet.org, Out, Feministing.com, Clamor, Kitchen Sink, make/shift, other, LiP and Transgender Tapestry), and have been used as teaching materials in gender studies, queer studies, psychology and human sexuality courses in colleges across North America. For more information about all of her creative endeavors, check out www.juliaserano.com.

E. Rose Sims, a Filipina-Ashkenazic mixed-class trans dyke mestiza, is a writer, religion scholar, medic, and survivor from rural Oregon. Dedicated to the projects of media justice, radical love, and community building, she writes online as "little light" at http://takingsteps.blogspot.com and elsewhere, serves on the advisory board of the Allied Media Conference in Detroit, and was a charter member of the Speak! Radical Women of Color Media Collective. She has recently performed with such diverse organizations as Detroit's Allied Media Project, Seattle's TumbleMe Productions, the National Queer Arts Festival, and the Bay's own Mangos With Chili. Her writing has found its way everywhere from law school classrooms and academic conferences to bathroom mirrors and protest marches. Rose is currently busy being in good stories and getting preachy in Portland, Oregon, and is moving down to the East Bay this fall; she carries a pen, her ancestors, and the mismatched ID of a citizen of the borderlands with her at all times.

Zarah Ersoff is a queer musicologist, Southern dyke, teacher and activist. She divides her time in academia between exposing college students to the pleasures of camp, codes and concealment in LGBT popular music, and writing about the relationship between same-sex desire and colonialism in 19th-century French music. Originally from Winston-Salem, NC (illustrious home of Krispy Kreme donuts and Camel cigarettes), she now enjoys living richly without riches in Los Angeles with her lovely and talented partner Lauren Steely.

Meliza BaƱales aka Missy Fuego writes books, sews clothes, and makes movies. She has toured with Sister Spit: The Next Generation and Body Heat: The Femme Porn Tour. She is currently working on a spoken-word album with Crunks Not Dead Records and another collection of short stories, Life Is Wonderful, People Are Terrific. She makes art in San Francisco.

***This event received a Creating Queer Community Commission from Queer Cultural Center funded through the San Francisco Foundation.***

Facebook event page Girl Talk: A Cis and Trans Woman Dialogue

5/3/10

Dallas Voice Belching Trans Toxic Trash again

Dallas voice attacks me. Again. At least this time they had the guts to call me out by name.

I stand accused by the Dallas Voice author Arnold Wayne Jones of promoting the San Francisco event called 'tranny Fest' while simultaneously protesting the movie 'ticked off trannies with Knives'. Presumably the offence is having a double standard because both events contain the word 'Tranny' in the title.

Yes I did publish that story about 'TrannyFest' I was asked to do so by a transgender person living in San Francisco who deeply wanted the this event to succeed.

In San Francisco it seems unlike most of the rest of the county, the word "Tranny" is more accepted by transgender people. It is used often casually within the transgender community while addressing each other with dignity and respect.

GAY PEOPLE, READ THIS!

Within the transgender community we occasionally use the word tranny to show affection in the same way some of my black friend call each other "Nigger".

Like the 'T' word, the 'N' word often makes me uncomfortable and I tell my friends so. None the less I have been called the 'N' and 'T' word on occasion by my friends and when they do, my chest pumps up with pride, because they are acknowledging me as an equal and as a confidant. I am proud to be considered their equals because in my heart I know I can only admire many of there qualities and aspire to emulate them.

That is what dignity is. That is what respect for yourself and others earn you.

I recoil in disgust when white people gather in little groups and hate on black people calling them "Niggers". God I despise that. I recoil in disgust when gay men gather in there little building to hate on transgender people. Same thing.

The Dallas Voice published a story here once again attempting to drag me to their pitiful depths all because I had once again asked to be interviewed so I might present a local transgender persons side of this issue. This has never been allowed by the Dallas Voice. And when I accused John Write the "News" editor of misogyny because he positioned a wonderful considerate and well written synopsis by transsexual advocate Ashley Love's on the movie TP*WK" as "Scathing'.

Reading that, Wright in a redux of 2009, puffed himself up and warned me "Do you know who I am?" Yes john you are a misogynistic pig and only a coward would encourage others to hurt people and then attempt to obscure themselves behind their Blogs coat tails. When I questioned him about this article he replies 'it's the blog and I don't feel anything ether way about it.' You are a low life coward John Wright.

You are the news editor of the Dallas Voice. The DV banner on your blog clearly indicates it is the Dallas Voice who publishes this tripe. You IP address indicates it is the Dallas Voice who publishes this blog.

Own Up.

I have to come clean. I'm ashamed to admit but I called John Wright's blog author a faggot at that point. Well you are what you are. I will be confessing this to my pastor tonight.

No john wright Ms. Love's dissertation about TO*WK was not scathing. It is a centralist and moderate response to gay peoples efforts to dehumanize and marginalize us.

The word controversy began in 2009 because the Dallas Voice used the word 'Tranny' repeatedly and intentionally in a defamatory manner.

The first paragraph in my first article explained my position when I asked them to treat transgender people with respect.

I wrote: "I hope everyone who watches[reads] this comes to appreciates how harmful it is to the self respect of transgender people when you call us "Trannie" and unless we are a entertainer with published articles which we identify ourselves individually as a "Drag Queen or Tranny" please do not call us by these names."

The promoters of "TrannyFest" identified themselves as 'trannies' a word I still find to be derogatory mainly because of gay people who love to sling it around in a demeaning and insulting fashion.


Wit the Dallas Voice.

I do not live in the vindictive hateful depths that these people seem to so thrive in. I will not revert to using slurs against the writer of this article or the Dallas Voice.

I will allow them to illustrate to the world once again who they truly are. They can do this filthy work themselves.